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A
student with fairly clean notes may reason to herself that she
could move from one speed to the next if she sacrificed some of
her clarity for the sake of speed. She would be correct.
She could do that. A person with generally readable notes
can conquer the next level by accepting lower quality notes.
The question is: Would it make her a better student?
The answer is simple. No.
You
can sacrifice your clarity for speed and move to the next level,
but that is a one-trick pony. Once you have lost your
clarity, there is nothing left to sacrifice.
There
is more bad news. Your notes will continue to worsen.
At first, the loss of clarity will involve the tougher strokes.
Eventually, you will begin to experience problems with words that
you learned in the first months of Theory.
For
proof, take a look around your school. How many of your
fellow students are missing tests because of simple words?
How many students stumble over every third word during readback?
How many would have trouble passing tests at 20 words below their
goal speed? Too many.
If
you give up your clarity for an increase of speed, you will end up
with intolerable outlines coupled with increased hesitation and
carrying. In extreme cases, you will have so much hesitation
and carrying that you end up writing slower than ever.
The
solution to sloppy notes is clear, basic, and undisputable:
Write slow enough to write correctly. Unfortunately, this is
unacceptable to a great deal of the students. They argue
that they will not be able to pass tests if they slow down.
If they are talking about the next test, they are correct.
They will not have their normal speed while they relearn the
strokes that they were taught in Theory.
However,
as soon as they get into the habit of writing correctly, the speed
will return. Not only that, they will be faster than ever.
Those who switch to clarity after a long bout with pure speed
invariably report no problems with gaining speed class after class
after class. They have already learned the speed. What
they needed was the clarity.
Why
does it seem that they gain speed by focusing on clarity?
Because a large part of the problem is that they are fighting
themselves. Deep down, they know the correct stroke, but
they don’t insist on it. They prize speed above all.
They rush out the strokes before they have fully formed them.
Eventually,
they don’t even look for the correct stroke. They settle
for anything. Too bad. As the amount of misstrokes
begins to rise, so do the mistranslations.
If
you are not going to insist on the correct outline for a word like
“what,” then you shouldn’t complain that your fingers
stroked the outline for “who” or “that.”
You
were taught the correct stroke. Use it. It is rolling
around in your brain somewhere. If you weren’t taught the
stroke, track it down and learn it. Do whatever it takes.
Your writing will clear up, and you will soon surpass your
previous speed.
When
all is said and done, even the best reporters will have periods
when their notes are not perfect. Somehow, the transcript
must still be produced.
Pulling
a translation out of sloppy notes is a skill that all reporters
need. However, it is a last-ditch attempt to make sense out
of notes that were written improperly. It should not be the
normal method of transcription.
Sadly,
students depend too heavily on their ability to read substandard
notes. They often cannot read twenty words of normal
dictation without stumbling. Sloppy notes become their
standard work product. When they do write “clean notes,”
it is still sloppier than should be allowed.
Many
of them end up making mistakes on tests because they cannot trust
their notes. We all know stories about students who have
failed tests because they second-guessed themselves in the typing
room. Even when they use the correct stroke during the test,
they are likely to force an error on themselves during
transcription. That isn’t the way to become a
professional.
If
you adamantly resolve to write the correct patterns that you were
taught in Theory class, you will be rewarded in a great many ways.
Sheer
repetition of the correct outline will help you conquer the hard
strokes. By the way, this is the one and only cure for the
hard strokes.
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Your
writing will become rhythmic and relaxed.
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You
will consistently produce the maximum number of strokes per
minute.
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You
will be less likely to break down or freeze up during a test.
You
won’t fall behind the dictation as much as before which means
that you won’t be dropping as much either.
By
stroking most words without hesitation, you will be giving
yourself a little extra time to write the tough words.
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With
proper strokes, you will not be as likely to fall into the
trap of reviewing your work stroke by stroke.
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You
will be focusing on stroking the words, rather than
remembering the strokes.
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You
will gain time because your use of the asterisk key will
diminish. Each time you correct a stroke, you turn a
single stroke into three. First, the incorrect stroke.
Second, the asterisk. Finally, the correct stroke.
(Hopefully, it is the correct stroke. Oftentimes, it is
not.)
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With
clear strokes, no confusion, no hesitation, no falling behind,
no fighting to catch up, no correcting of your work, you will
automatically “gain speed.” In truth, your hands
aren’t moving faster; they are moving more efficiently.
The result is more work is being accomplished with less
effort.
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With
generally clear strokes, you will be able to pinpoint the few
areas of your writing style that need work.
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Your
readback will be amazingly easy.
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You
will trust your notes. While transcribing, you will not
change, add to, interpret or modify what you wrote.
You will simply translate them.
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You
will gain valuable proofreading time. Clean notes are
easy to read and transcribe. The result is extra time to
catch typos, misspellings, mistranslations, etc.
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You
will write like a professional.
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You
will read like a professional.
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You
will transcribe like a professional.
You
will sleep better!
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